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Shah Abdul
Latif’s philosophy of sorrows
Sorrows adorn joys-III
By Saleem Bhutto Lateefi

The second chapter of Latif’s
poetry like first one also deals with a spiritual journey through
sufferings and then man removes the veil from his heart and
beholds the vision beatific and there is peace achieved through
sufferings and sorrows but through humility, kindness, courtesy,
patience and forbearance.
In chapter of Suhni, the spiritual
journey is beret with many risks and hazards symbolized in the
Indus river’s lurking dangers and its monstrous creatures.
Finally, the journey’s end is reached. Story ends with the tragic
drawing of Suhni. Here the human essence is assimilated with the
Divine essence and since nothing exists absolutely but ’God’ and
’All is God’, the rest being just illusion and deception, as peot
says:
Sahar (Beloved), Suhni, and the
river water are one and the same.
This ineffable mystery none can scan.
The underlying them in five
chapters of Sasui is the selapres in the evolution of a mystic for
a higher life, due to his little negligence when an opportunity
comes for him. In all the five chapters, Sasui is seen in the
travails of her journey through the formidable rocks, mountains
ranges, hazardous and high summits. Yet she never wavers nor does
she ever think of giving up pursuing the path of spiritual
journey. Her painful and difficult journey comes to an end with
her death, which turns eat to be the means of uniting her with her
Beloved. After sufferings and sorrows death united the two lovers,
never to be parted again. Sasui bears boldly the pangs of
separation and says, “But pain of my Beloved’s separation is my
companion and my guide”. One noty only considers pain as companion
and guide but she says, “All these discomforts for Beloved’s
union, I considered comforts. For Sasui, Beloved’s manifestation
is my comfort.
Dark day I consider a happy one,
Sweet is the sorrow, that to me Beloved has given.(49)
Ture lovers like Sasui advance each
step forward and do not show weakness because “To those who love,
suffering makes them glow.” Sasui touches such tofly heights of
spiritual powers that she enjoys the search of her Beloved.
I seek, may I never find, may
you always be far.
May without you I find no peace and no solace.(50)
Why she is deeply indulged in
sorrows because she knows that in love’s sake who willingly
accepts the wildness is rewarded equally as she says:
“Water is thirsty for those who
thirst for it”(51)
she also knows that:
“lucky are those whose lives are
lost in spiritual quest.”(52)
Then comes the allegory of Leela
and Chanesar which deals with the fall of God’s favoured one from
His grace for exchanging his loyalty from Him to some other
mundane object. Then comes unceasing sorrows and pangs of
separation. Through her journey of unceasing sorrows Leela learns
to preserve her moral fiber intact, she resists temptations and
loves that took away her love, and finally she realize the truth
that ,God is very exacting in His chosen one’s dedication to Him!
She achieves true wisdom which comes from sorrows and suffering
and denies the worldly knowledge which misled her.
The theme of man’s fall from divine
grace because of his own folly is repeated in chapter of Moomal
Rano with a little difference. Moomal does not exchange divine
favour for material gain but tries to seck some consolatier in
ways other than those that a seeker in the search of Reality is to
pursue. During the separation of Rano Moomal was pining away in
his love because Rano was hurt and annoyed due to some
misunderstanding. She was desperate she sent many messages to her
Beloved Rano to give her chance to explain but he would not hear
of it. All pleas from her side were of no avail. She could not
appeare has love and remained in unceasing sufferings and finally
her souls is awakened and uplifted as she says:
1. Where do I direct the camel?
All is light
Within me is Kak’s colourful palace, within is ludano bright.
All is Rano and Rano, nothing else exists.(53)
***
Both the earlier stories deal with
man’s fall from divine grace by making a ship regain union after
suffering but in case of Marvi, the evolved human self in his its
efforts for a higher life, resists all temptation and looses the
comfort one during this journey. Shah believes that ’sorrow is
wisdom’ but to keep this wisdom intact and increase, sorrow is
unavoidable every now and then in life because ocean of
spirituality is fathomless as stated in chapter of ’Sea Farers’.
The divers bring forth pearls and other precious stuff are the
spiritual truths which the seekers and lovers of God find by deep
meditation and constant search. This increasing search is constant
longing and remembrance inspite of sufferings and sorrows,
tortures and troubles as in case of Marvi. Mystics believe that
man had pledged himself with God and his only purpose in life is
to lead a pure life, sinless life and cultivate within himself
attributes of God, so that he is ultimately rewarded with the
vision Beatific which is his ultimate goal.
The chapter of Marvi in addition
being a allegory, is a song of patriotism. Just as the individual
human soul longs to return to its original abode, so did Marvi
long to return to her native place, Malir. The former aim can only
be accomplished by constant remembrance of the Lord and by
cultivating godly attributes in oneself so as to live a pure,
blanders life without being lured by the many frivolous
attractions of the world. She bears to return and troubles but
does not give up longings and memories. She in sufferings and
sorrows keep on remembering and longing and finally she achive the
same pure state of sould in shape of freedom from the captivity of
king Umer.
Marvi longing is expressed in the
following verses:
1. Without my desert folks, I am
distressed,
May I keep pledge with one whome my eyes blood shed.(53)
***
2. God Almighty! Let me not die
in this prison,
My body in chains, day and might I weep,
Let my days end, when my native place I reach.(56)
The tortures and sufferings of
Marvi are expresses as:
1. Iron rings round my neck,
hand cuffs and chains,
My feet are fettered, doors of room are nailed
Spices roam in yard, ministers are on guard,
Unhappy me in this state in a room I am locked,
Oh Malir’s headman! Come and enquire after Malir’s maid.(57)
And she cries that:
Desert dwellers change not their
love for glittering gold,
I will not misconceive in Umerkot,
Now will I exchange love of huts for gorgeous mansions
She constantly remembers her people
and land.
Other prisioners are at rest, I
alone an restless in chains,
My people’s memory, hangs like a sword over head.
Finally, through tortures and
trobles, sufferings and sorrows Marvi reaches higher life and her
soul is awakened.
Auspicious were those days that
in prison I spent,
In palace, large drops of tears like rain I kept,
Longing for return, I was in a miserable state,
My love has purified my chains.(58)
Suchf is a philosophy of our great
poet that ’sorrow is wisdom’, it is not sufficient to achive and
be blessed with wisdom but like Marvi Shah Latif insists that
sorrows are necessary even to maintain wisdom and attain higher
and higher life.
The inherent religious and mystic
attitude so pervasive in Shah Latif’s work is interesting study as
our great poet has settled philosophy and has the faith and
conviction. Poet’s efforts to harmonise the spirit and the mind,
his preoccupation with matters of mortality and immorality,
eternity and transience of existence along with his capacity and
tendency of joy in sufferings, dwelling with beauty can be seen in
connection with association of religion and language.
1. Those who drank from
Beloved’s Beauty expanse,
Were so seized with love and longing,
That even in mind-stream, their thirst unquenched remained.(59)
2. They reached who shifted
their gaze from this world to that,
Perfect Beauty and Perfect wisdom’s Lord is away from them just a
step.(60.
(Continued)
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